As I look at war artists, I have come across the passionate work by Swiss artist Thomas Hirschhorn. This peice here was shown in the Tate Modern is a politically charged sculpture which comments on the challenges and fragility of everything surrounding the Iraq conflict.
Hirschhorn creates monumental works from the basest of materials. Cardboard, foil, paper and plastic are bound together with tape, in an apparently casual fashion, to form works that are all the more powerful for their obvious instability. In Drift Topography, a ring of US soldiers surround and stand guard over a densely built-up, fenced-in territory. The soldiers themselves, and the weapons they brandish, are larger than life-sized cardboard cutouts. The landscape they guard is equally unstable – a city built from boxes, card, cotton wool and aluminum foil. Vast quantities of generic brown packing-tape hold the whole structure together. Political and historically significant books line the makeshift streets, alongside rows of plastic petrol cans. Paper billboards bear Arabic script enlarged from newspapers, and the bold text of truncated headlines – ‘war’, ‘power’, ‘humanitarian’, ‘globalization’ – are plastered over every surface, echoing the overuse of such terms by the press to the extent of virtual meaninglessness. Over it all, gigantic mushrooms rise out of the centre of the system, evoking nuclear clouds as much as thriving mutant fungi.
Tate.org.uk Accessed May 2012